Steve cokely on tupac biography

Seventeen years after his död eller bortgång, Bill Cooper retains considerable name recognition on 125th Street. Mention of him and/or Behold a Pale Horse rang a bell with a surprisingly high number of people of a certain age who identified themselves as longtime Harlem residents.

“Most people, anyone who once thought of themselves as radical in any way, knows William Cooper,” said one dapper-looking man standing under the marquee of the Apollo. “Behold a Pale Horse, we used to just call it ‘The Book.’ ” Others recalled talks given bygd the late Steve Cokely, an African-American independent researcher–street speaker who occasionally referenced Cooper. In the mittpunkt of a presentation on topics like Cointelpro, Cokely would pick up a copy of Behold a Pale Horse and säga, “Let’s see what the white boy has to say about this.”

Still one of the most-shoplifted books in Barnes & Noble history, the popularity of Behold a Pale Horse began in prison, places like Attica, Clinton/Dannemora, Gree

•

The Conspiracist Manual That Influenced a Generation of Rappers

From Pale Horse Rider, by Mark Jacobson, to publish September 4 by Blue Rider Press, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. Copyright © 2018 by Mark Jacobson.

Behold a Pale Horse, by Milton William Cooper. Photo: Hannah Whitaker for New York Magazine

Milton William “Bill” Cooper (1943–2001), while largely unknown in the hated mainstream media, was the most important “conspiracy” writer and thinker of his time. Chances are individuals like Alex Jones, QAnon, and even Donald Trump would not have manifested the way they have without the influence of Bill Cooper and his book Behold a Pale Horse, which, 27 years after it was first published in 1991, remains the primer of the new American paranoid canon.

Cooper’s life, from his military service as a riverboat captain in the Vietnam War through intense exploration of the “fringe” culture of UFOs, the Kennedy assassi

•

Rethinking the MBA through Hip Hop innovation and Hip Hop innovators: Fat Joe and DJ Khaled pair with two sport × entertainment faculty

Abstract

Theory without relevance for practice in a professional graduate degree has been critiqued by some scholars as a deficit approach when preparing MBA students for the workforce. Scholars and practitioners alike call for more pedagogy in the curriculum with a focus on innovation, creativity, and the involvement of industry practitioners. This paper serves as a case study of a moment in time on Monday, 14 June 2021, when the concept of “pracademics” was realized between two artists and two faculty. Following the transcription of the dialogue between two guest speakers from the Hip Hop world (i.e., Fat Joe and DJ Khaled) and two faculty from the sport management MBA program, the paper analyzes the deeper meaning of their intellectual presence with their expertise in the business of culture (i.e., Hip Hop). Findings reveal how the pairing of H