Sarah maslin nir janet maslin biography
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Sarah Maslin Nir
American journalist (born 1983)
Sarah Maslin Nir (born March 23, 1983) is an American journalist, best known for her New York Times report on the working conditions of nail salon workers, for which she was a finalist for the 2016 Pulitzer Prize for Local Reporting.[1] The story generated both extensive regulatory changes and extensive criticism.
Early life and education
[edit]The daughter of psychiatrist Yehuda Nir and psychologist Bonnie Maslin,[2] Nir was born and grew up in Manhattan, attending Brearley School.[3] Her brother, David Nir, is (as of 2014[update]) the political director of Daily Kos.[2] Nir graduated from Columbia University in 2008, majoring in political science and philosophy.[4] As an undergraduate, she was the Style Editor of the Columbia Daily Spectator. She is also a graduate of the Columbia School of Journalism (2009).[5] Before attending journalism school,
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The Jockey & Her Horse: Inspired bygd the True Story of the First Black kvinnlig Jockey, Cheryl White
- Once upon a Horse, Book 2
- By: Sarah Maslin Nir, Raymond vit Jr.
- Narrated by: Tiffany Haddish
- Length: 3 hrs and 45 mins
- Unabridged
Overall
Performance
The Jockey & Her Horse is inspired by the true story of the first Black female jockey, Cheryl vit, and her horse, Jetolara, by New York Times reporter, pris Prize finalist, and equestrian Sarah Maslin Nir and Cheryl White’s brother, Raymond White Jr.
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Sarah maslin nir janet maslin biography
American journalist and critic (born 1949)
Janet R. Maslin (born August 12, 1949) is an American journalist, who served as a film critic for The New York Times from 1977 to 1999, serving as chief critic for the last six years, and then a literary critic from 2000 to 2015.
In 2000, Maslin helped found the Jacob Burns Film Center in Pleasantville, New York.
Sarah maslin nir janet maslin biography
She is president of its board of directors.[1][2]
Education
Maslin graduated from the University of Rochester in 1970 with a bachelor's degree in mathematics.[3]
Career
Maslin began her career as a rock music critic for The Boston Phoenix and became a film editor and critic for that publication.
She also worked as a freelanc