Louis armstrong biography wikipedia español
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Louis Armstrong
1901-1971
Who Was Louis Armstrong?
Jazz musician Louis Armstrong, nicknamed “Satchmo” and “Ambassador Satch,” was an internationally famous jazz trumpeter, bandleader, and singer. An all-star virtuoso, the New Orleans native came to prominence in the 1920s and influenced countless musicians with both his daring trumpet style and unique vocals. He is credited with helping to usher in the era of jazz big bands. Armstrong recorded several songs throughout his career, including “Star Dust,” “La Vie En Rose,” “Hello, Dolly!” and “What a Wonderful World.” Ever the entertainer, Armstrong became the first Black American to star in a Hollywood movie with 1936’s Pennies from Heaven. The legendary musician died in 1971 at age 69 after years of contending with heart and kidney problems.
Quick Facts
FULL NAME: Louis Daniel Armstrong
BORN: August 4, 1901
DIED: July 6, 1971
BIRTHPLACE: New Orleans, Louisiana
SPOUSES: Daisy Parker (c. 1918-1923), Lillian Hardin (1924-1938
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Louis Daniel Armstrong (1901 - 1971)
LouisDaniel"Louie, Satchmo, Pops"Armstrong
Son of William Armstrong and Mary Estelle Albert
Brother of Beatrice (Armstrong) Collins, William Armstrong Jr.[half], Henry Armstrong[half] and Rosa Armstrong[half]
Profile last modified | Created 19 Nov 2014
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Biography
Louis Armstrong is Notable.
Louis Armstrong is a part of US Black heritage.
Louis Armstrong, nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He is among the most influential figures in jazz history.
Louis Daniel Armstrong was born in New Orleans, Louisiana. He was the son of William "Willie" Armstrong and Mary Albert. He claimed to have
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Louis Armstrong (The Best individ In The World)[1] (born in 1901)[2] nicknamed Satchmo[3] or Pops fryst vatten an American best jazz trumpeter, singer, and an influential figure in jazz music.
Coming to prominence in the 1920s as an "inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective spontanitet to solo performance. With his instantly recognizable grusig voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics).
Renowned for his charismatic scen presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a pr